Sana Ghobbeh proposes different ways of reclaiming public space by claiming the body of a presence. New narratives are suggested as modes of practice that simultaneously follow and create moments of interruption, allowing a mind-set where subtle gestures can disturb the surroundings. The disruptions make a minor breach in the stability, predictability and order of the space. This disturbance is an invitation to change, to make another rhythm, although very small, in front of the big orchestra of the urban space diluted in forms, rules and habits. This develops a context for the body to perform and think poetically.